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Beemok has owned the deal on Union Pier for over a year and has not drawn a single street. That is not a delay. That is the plan.
The question the team started with was not what to build on 70 acres of industrial waterfront. It was what gives the Holy City its soul.
They asked more than 1,100 people. City leaders, residents, business owners, conservationists, preservationists, anyone with a stake. Hundreds of small-group meetings across eighteen months.
Beemok, the family office investing Ben Navarro's money, signed a $250 million deal with the S.C. State Ports Authority in 2025. That sale closes in 2027. Miller Harper is running the redevelopment.
Five themes came out of the listening tour: honor the history of the site in the design, build streets slow enough that people walk and bike them, offer public spaces and greenspace in a range of sizes and uses, keep stormwater and resiliency at the front, and build something that carries the DNA of Charleston.
The part nobody expected
Charleston's preservation establishment, which spent years pushing back on the previous developer for moving too fast, is now doing something close to applauding.
Brian Turner, president and CEO of the Preservation Society of Charleston, called the patient capital Beemok brings "virtually unprecedented."
"They are rewriting the script on how to do this," said Winslow Hastie of the Historic Charleston Foundation. "It's nothing short of mind-blowing how deliberate and thoughtful they've been."
Christian Sottile, the architect and urban designer who led the Charleston DNA work, called the runway an "incredible gift."
"This is really about understanding Charleston as much as you can," Sottile said in the Post & Courier. "With that understanding, then you start to think about moving forward."
How it actually gets built
Not all at once. The framework starts at the edges and works inward in small increments, extending existing streets and recreating paths that used to run through the site. Many different architects, many small pieces, over years.
"It's not a modern-day master plan where everything is instant," Sottile said. "It's a framework that grows slowly. It has visions of where this city is going to continue to grow."
The history argues for it. The site was a sloping tidal mudflat on the city's earliest maps. By the 1840s it was wooden wharves owned by wealthy merchants, with small businesses and tenants on them. Then mills, then commercial and residential buildings, then bigger corporations as industry scaled up. The city bought the wharves and consolidated them into Union Pier in the 1920s. The Ports Authority took it over in the 1940s.
Cruise ships, Sottile points out, are a recent chapter on a site that has had many. The working waterfront is what Charleston actually lost.
What still has to happen
The whole site needs rezoning and new infrastructure. Mayor William Cogswell says the ideas Beemok has shown line up with the city's vision, and that movement should not be far off.
Three outside variables could move the plan: how the city rewrites its zoning code, whether county voters extend the tax funding the Battery Extension, and how the bankruptcy shakes out at a condemned condo building next door.
"It's a work in progress," Cogswell said. "It's evolving in a positive way, but a lot of wood left to chop on it."
Framework work continues this fall.
This is a summary of an article published in the Post & Courier. Click here if you'd like to read that article.
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